Mission: Impossible composer Lalo Schifrin says he’s given up scoring movies (maybe!) but, at 84, he is still writing potent music for the classical world. His new guitar concerto, his second for renowned soloist Angel Romero, will debut Tuesday night at the Hollywood Bowl (with Gustavo Dudamel conducting the Los Angeles Philharmonic). In this piece for the Los Angeles Times, I interviewed the five-time Grammy winner about his concerto, about writing for films vs. the concert hall, and about the enduring legacy of a 1966 TV theme that remains his most famous work. (I also talked to Romero, who laughed and said Schifrin’s guitar writing was “diabolical” — as in difficult.)
It was so sad to hear of the death of Marni Nixon, a wonderful lady with whom I’d just recently conducted a long, on-camera career history (for the Film Music Foundation, to be posted online soon). I wrote this obituary for Variety that talks a bit about her three famous “ghost singing” gigs: for Deborah Kerr in The King and I, Natalie Wood in West Side Story, and Audrey Hepburn in My Fair Lady. But she was much more than that, singing (from the late 1940s on) as part of the Roger Wagner Chorale, in many classical and opera performances, and even classic TV themes (she was in the choir for I Married Joan in 1954!).
The Television Academy likes to spread the wealth, as seen in this year’s crop of nominations in Emmy’s five musical categories: music for series, music for longform TV (miniseries or movies), music direction, title themes, and original songs. Nearly half of all the nominees are first-timers to the party, and that’s always nice to see. (Fans of the music for ultra-popular shows like Game of Thrones, House of Cards, Downton Abbey and others were disappointed when those scores failed to receive a nod, although all have been past nominees or winners.) And the song category has special zing this year: Alan Menken could become an EGOT and Diane Warren has achieved something no previous songwriter has. Here’s a rundown and quick analysis. I’ll be visiting each of these scores later during Emmy season for Variety.