Monthly Archives: January 2018

Mark Hamill on John Williams

While I was preparing my John Williams piece for Variety, I had the good fortune to connect with actor Mark Hamill, who of course plays Luke Skywalker in the Star Wars films. He was so enthusiastic in his praise for the maestro, and waxed eloquent in his appreciation for film music generally, that I didn’t want to use simply one or two quotes in the Williams piece. Variety editors agreed, so here is the sidebar story in which Hamill talks about his history with classic film music, and Williams in particular.

John Williams on “The Post,” “Last Jedi”

It’s always a treat to interview the legendary John Williams. A few weeks ago he talked with me about scoring The Post for longtime colleague Steven Spielberg; about his eighth Star Wars movie, The Last Jedi; and about his plans for 2018, which include a theme for Solo and a new concert work celebrating the centennial of Leonard Bernstein. I also interviewed Last Jedi director Rian Johnson, actor (and fan) Mark Hamill, and fellow composers David Newman and William Ross, about the iconic composer’s place in movie and music history. The story is in this week’s issue of Variety, including a collection of Oscar trivia related to the composer. In a separate story, I explore the maestro’s first animated short subject (which itself is also Oscar-eligible this year), Dear Basketball, based on the Kobe Bryant poem.

Music for suspense, family sagas, animation

For Variety‘s final roundup of potential award nominees in the music categories, I covered nine scores and broke them down into three categories: Suspense (Michael Abels’ Get Out, Patrick Doyle’s Murder on the Orient Express, Carter Burwell’s Three Billboards Outside Ebbing, Missouri); films that centered on families (Jon Brion’s Lady Bird, Randy Newman’s The Meyerowitz Stories, Marcelo Zarvos’ Wonder); and music for animation (John Powell’s Ferdinand, Mychael and Jeff Danna’s The Breadwinner, Michael Giacchino’s Coco). It certainly was a diverse and fascinating year for original music in films.

The songs in “Coco” and “Greatest Showman”

The two most likely candidates for Best Song nominations at the Oscars come from very different movies: “Remember Me,” the musical centerpiece of Disney/Pixar’s Coco, and “This Is Me,” the outcasts anthem from the P.T. Barnum biopic The Greatest Showman. They also happen to be the work of four of America’s current greatest songwriters, all previous Oscar winners: Bobby Lopez and Kristen Anderson-Lopez (Frozen), who wrote “Remember Me”; and Benj Pasek and Justin Paul (La La Land), who wrote all the songs in The Greatest Showman. I chronicle the creation of both songs in this week’s Variety: Here is the “Remember Me” backstory, and here is the one on “This Is Me.”