I loved the headline that Variety editors affixed to this story: “John Williams in Disneyland.” Well, sort of: the Imagineers who conceived and built the new Galaxy’s Edge land in the California theme park (soon to open in Florida too) convinced the legendary Star Wars composer to add one more piece to his many existing film themes for the George Lucas-created universe. This was done in great secrecy, and while Williams was unavailable for my Variety story — the first to delve into it in any detail — I did get both William Ross, the longtime Williams associate who orchestrated and conducted it, and Matt Walker, the Disney exec who commissioned it, to discuss the process and the grand symphonic music that resulted.
One of the most intriguing musical assignments of Wynton Marsalis’ career had to be scoring the music for Bolden, the dramatization of jazz pioneer Buddy Bolden’s career around the turn of the last century. No recordings of his music exists, so Marsalis essentially invented it with the help of director Dan Pritzker. He ultimately wrote 18 songs for Bolden’s ensemble, then recorded 10 more appropriate for Louis Armstrong’s 1930s band. I interviewed composer and director for this Variety story.