This year there are seven music categories at the Emmys, the most for any craft discipline except for editing, which has eight. For many years there were five (original music for a series; music for a TV-movie or miniseries; music direction; song; main title theme) but in the past two years the TV Academy has… Read More
I loved the headline that Variety editors affixed to this story: “John Williams in Disneyland.” Well, sort of: the Imagineers who conceived and built the new Galaxy’s Edge land in the California theme park (soon to open in Florida too) convinced the legendary Star Wars composer to add one more piece to his many existing… Read More
One of the most intriguing musical assignments of Wynton Marsalis’ career had to be scoring the music for Bolden, the dramatization of jazz pioneer Buddy Bolden’s career around the turn of the last century. No recordings of his music exists, so Marsalis essentially invented it with the help of director Dan Pritzker. He ultimately wrote… Read More
It seems like the whole world is gearing up for the eighth and final season of Game of Thrones, the fantasy series that returns to HBO on April 14. In anticipation of this, I interviewed Ramin Djawadi — who won his first Emmy last year for his music for the final episode of the seventh… Read More
Composer Benjamin Wallfisch — recently Grammy-nominated for his contributions to the Hidden Figures and Blade Runner 2049 soundtracks — has no fewer than three major projects being released in April: feature film scores for Shazam! (a big symphonic approach for the comic-book adaptation), Hellboy (a punk-infused score for the reboot) and Hostile Planet (a six-hour… Read More
His music was an integral part of our young lives, a Christmas tradition in many households — watching Rudolph the Red-Nosed Reindeer, Frosty the Snowman, Santa Claus Is Comin’ to Town and so many other holiday specials: Maury Laws was the unsung musical genius behind them all. As musical director for Rankin-Bass, the animation company… Read More
More than three decades later, composer Danny Elfman is still putting music to the films of Tim Burton. They’ve done everything from Batman to Edward Scissorhands, The Nightmare Before Christmas to Alice in Wonderland. And now they’ve returned again to the Disney fold with a live-action remake of the 1941 classic Dumbo. Elfman’s musical journey… Read More
A trend in journalism is generally defined by three or more happenings in the same field. So when I discovered that James Newton Howard (The Hunger Games) had written a cello concerto, Danny Elfman (Alice in Wonderland) a violin concerto and George S. Clinton (the Austin Powers movies) another violin concerto, I thought “here’s a… Read More
Wow, two great Variety assignments in a row! First, writing about the year’s first stunning score, John Powell’s How to Train Your Dragon: The Hidden World. And now, the chance to preview Pinar Toprak’s memorable music for Captain Marvel, which opens Friday. It’s a landmark moment not only because Toprak is the first woman to… Read More
John Powell’s music for How to Train Your Dragon: The Hidden World is the first genuinely great score of 2019. I found it a stunning, unexpectedly emotional experience, and so asked for time with both Powell and director Dean DeBlois to explore their process and learn about the creation of the music. This, of course,… Read More