Adam Taylor has just finished scoring the second season of the acclaimed, Emmy-winning Hulu series The Handmaid’s Tale. I got to attend the final recording session for the season and was sworn to secrecy about the details of those last two episodes — but it was worth it to watch a 27-member string ensemble enhance the drama with their exquisite playing on the Warner Bros. recording stage. What was even more fascinating was interviewing both Taylor and, via email, star-producer Elisabeth Moss about the importance of music in the series. The story ran July 11 in Variety.
On Thursday I was pleased to be part of the advance showing of the season-ending cliffhanger of Hulu’s acclaimed The Handmaid’s Tale. It was a special screening that included a live-to-picture performance of the score by Adam Taylor (22 musicians from the Hollywood Studio Symphony conducted by Peter Rotter). Afterwards, I conducted a Q&A with the composer about his unusual musical choices and dark soundscape for the chilling dystopian drama. Here is an overview of the event and my interview with Taylor. The Montalban Theatre was packed with nearly 1,000 Handmaid’s Tale fans; star-producer Elisabeth Moss and several of her co-stars were also on hand.