Just a week before he won two Grammy Awards (one for Song of the Year, one for Original Score), I interviewed Swedish composer Ludwig Goransson about his acclaimed, Oscar-nominated score for the Marvel blockbuster Black Panther. We shot it for Michael Coleman’s SoundWorks Collection at Goransson’s studio and incorporates on-location footage of him recording musicians in Africa. The day after the Grammy Awards, I discovered that Ludwig’s wins set a record for a musician working in two vastly different genres and wrote about it for Variety.
On the eve of their triple Golden Globe nominations for Best Picture, Best Original Score and Best Song, Black Panther director Ryan Coogler, composer Ludwig Goransson and songwriter-producer Sounwave sat down with me for an in-depth conversation about their work on the biggest-grossing film of 2018. The occasion was a screening, co-sponsored by Disney and radio station KPCC, of Black Panther at Regal Cinemas at L.A. Live. It was great fun, and the attentive audience was a nice plus.
This was one of my most fun Variety assignments of the year: Interviewing Swedish composer Ludwig Goransson about his music for Marvel’s Black Panther. I’ve known Ludwig since his USC days, which is where he met director Ryan Coogler; this was their third film together (after Fruitvale Station and Creed) and his most ambitious score yet. He spent a month in Africa researching, listening to and recording all kinds of musicians, giving the film an authentic and evocative African sound (coupled, of course, with a massive London orchestra and choir for that “cinematic” finish). The piece is illustrated with photos of Ludwig in Senegal; director Coogler chimes in with comments about the importance of music in the film.