Wow, two great Variety assignments in a row! First, writing about the year’s first stunning score, John Powell’s How to Train Your Dragon: The Hidden World. And now, the chance to preview Pinar Toprak’s memorable music for Captain Marvel, which opens Friday. It’s a landmark moment not only because Toprak is the first woman to score a Marvel film, but its likely box-office success will shine new light on the unfortunate statistics about gender bias in film scoring. And the film’s huge opening weekend instantly made her the most successful female composer, box-office-wise, in American movie history. I used that statistic as a jumping-off point for a discussion of what this may mean for other women in film music.
I am proud to say that I have been writing about female film composers for decades (from Shirley Walker to Rachel Portman to Anne Dudley to Lolita Ritmanis and many others along the way). I have waited for many years for a woman to score a big-budget franchise film, and now it’s finally happened. Pinar Toprak, the Istanbul-born, super-talented composer of TV’s Krypton, has been signed to compose the music for Captain Marvel, the latest entry in the Marvel Cinematic Universe. I was delighted to announce it in this Variety story.