Each year at this time I rummage through 12 months of CDs to chronicle the best of the year in “classic film music” — that is, the expanded reissues, the newly recorded scores, and in some special cases the first releases of great old scores that always deserved an album but never got one. There are 20 entries, all listed here, but this year there were so many excellent releases that I added an “honorable mention” section at the bottom with more of my favorites that didn’t quite make the main list. Intrada and La-La Land were this year’s top labels (that is, with the most entries) but there are worthy contributions here from Kritzerland, Quartet, Varese Sarabande, Play-Time, Universal France and Dragon’s Domain. Check them out.
One of my favorite year-end tasks is compiling a list of what I think were the best albums of classic film and TV music to be released during the previous 12 months. First-time-ever releases (like Leonard Bernstein’s original On the Waterfront tracks), re-recordings (John Barry’s The Betsy), reissues on CD (Jerry Goldsmith’s Our Man Flint and In Like Flint LPs), expanded classics (Michel Legrand’s The Thomas Crown Affair) and box sets of great film and TV music (Elmer Bernstein’s Ava LPs, Star Trek: Enterprise) are all included. I chose 20, and had to drop five or six more that I really liked because of limited space. Thanks to all the producers and label execs who work so hard to keep us film-music buffs happy.