On Monday night, it was my pleasure to lead a Q&A with composer Michael Giacchino after a Society of Composers & Lyricists screening of his latest film, War for the Planet of the Apes, on the 20th Century-Fox lot. It is Giacchino’s second film in the Apes series (after Dawn, in 2014) and his fourth film with director Matt Reeves (the Apes movies, Let Me In and Cloverfield). The composer reported that 90% of the score — played by a massive orchestra and choir on the Fox scoring stage — was original, and he even came with props: the mixing bowl used by percussionist Emil Richards on Jerry Goldsmith’s original 1968 Planet of the Apes, and a ram’s horn that he played himself on both of his Apes scores.
Attending Michael Giacchino’s recording sessions for Dawn of the Planet of the Apes was probably the most fun I’ve had in months. Giacchino is not just a fine composer, he also maximizes the “joy” factor in everything he does, including the scoring sessions (which can often, in today’s studio environment, be pressure-filled and stressful). I wrote about them, including interviews with the composer, director Matt Reeves, and veteran percussionist Emil Richards, here. Michael’s sister Maria supplied the fabulous photos.