Two of this year’s biggest, most moving musical scores were for larger-than-life spectacles. Avengers: Endgame became the year’s top-grossing film, and its massive symphonic score by Alan Silvestri (Forrest Gump, Back to the Future) matched the galaxy-spanning scope of the Marvel Universe finale. How to Train Your Dragon: The Hidden World featured some of the finest music written for an animated feature in many years, no surprise considering its composer, John Powell (Oscar-nominated for the first Dragon film), devoted months to crafting its lavish orchestral and choral score. Special sections of Variety featured both of these articles: here is the Silvestri piece and here is the Powell story.
John Powell’s music for How to Train Your Dragon: The Hidden World is the first genuinely great score of 2019. I found it a stunning, unexpectedly emotional experience, and so asked for time with both Powell and director Dean DeBlois to explore their process and learn about the creation of the music. This, of course, is the finale of the Dragon trilogy; Powell was Oscar-nominated for the first film in 2010 and then penned an equally fine score for the second film in 2014. As you will see in this Variety story, the third film demanded a 98-piece orchestra and 60-voice choir.