Each year at this time I rummage through 12 months of CDs to chronicle the best of the year in “classic film music” — that is, the expanded reissues, the newly recorded scores, and in some special cases the first releases of great old scores that always deserved an album but never got one. There are 20 entries, all listed here, but this year there were so many excellent releases that I added an “honorable mention” section at the bottom with more of my favorites that didn’t quite make the main list. Intrada and La-La Land were this year’s top labels (that is, with the most entries) but there are worthy contributions here from Kritzerland, Quartet, Varese Sarabande, Play-Time, Universal France and Dragon’s Domain. Check them out.
One of composer John Barry’s most prestigious assignments was the 1975 adaptation of Nathanael West’s nightmarish vision of 1930s Hollywood, The Day of the Locust, by the Midnight Cowboy team of director John Schlesinger, writer Waldo Salt and producer Jerome Hellman. I was delighted to write a 3,000-word essay on the film and its terrific score. One of the highlights of this album (considerably expanded from the original LP) is the addition of newly discovered recordings of a song based on Barry’s nostalgic theme, with three different Don Black lyrics, that went unused in the original film. I did new interviews with Hellman and Black for the essay.