In his first interview about scoring the new Star Trek: Discovery series, composer Jeff Russo talks about how he came up with the theme, the use of full orchestras (now a rarity in weekly TV scoring), and about the idea of a more nuanced approach to scoring the Klingon Empire. Variety published this today, just a few days before the Sept. 24 debut of the new sci-fi series on CBS All Access. Discovery producer Alex Kurtzman also chimed in on the importance of music in his new series. Russo recently won his first Emmy for Fargo.
There is tremendous excitement among Marvel Comics fans about the upcoming Inhumans series on ABC, which has a a big orchestral score by Sean Callery (24, Jessica Jones). But, in fact, the Marvel TV universe encompasses a wide variety of musical sounds and styles, which I explore in a piece in this week’s Variety. In addition to Callery, I interviewed Bear McCreary (Agents of S.H.I.E.L.D.), Ali Shaheed Muhammad (Luke Cage), Jeff Russo (Legion), Trevor Morris (Iron Fist), Tyler Bates (The Punisher), John Paesano (Daredevil, The Defenders), Siddhartha Khosla (Runaways) and ABC music exec Dawn Soler.
I love putting together Variety‘s annual chart examining all the nominees in Emmy’s various music categories, because it gives me a chance to talk with the composers about the musical and dramatic challenges they face. I assembled some of the best quotes from the six nominees in Emmy’s “music composition for a limited series, movie or special” category into a story for this week’s edition. Interviewed: James Newton Howard (All the Way), Martin Phipps (War & Peace), Victor Reyes (The Night Manager), Jeff Beal (Jesse Stone: Lost in Paradise), David Lawrence (Descendants) and Jeff Russo (Fargo) — all super-talented composers who deserve their nominations. And here is a story chronicling all of the Emmy winners (announced Sept. 10).