For Oscar Sunday, the CBS newsmagazine Sunday Morning decided to profile the famous Newman family of film composers. They interviewed composers Randy, David, Thomas, Maria and Joey, representing the second and third generations of Newman composers in Hollywood; and discussed Alfred and Lionel, from the first generation, along with visiting their old haunts on the 20th Century-Fox lot. I was delighted to help provide some historical context for the piece, which you can find — at least for the next few days — here.
For this season’s Emmy contenders issue, the editors at Variety posed an interesting question: When TV series run two, three, four or more seasons, how do the composers treat their characters and story arcs? Is it best to ground them in familiar musical territory, or should the scores reflect the changing, often expanding, storylines? I interviewed a wide range of composers to find out how they handled the challenge: Bear McCreary (Outlander), Blake Neely (The Flash), Joey Newman (The Middle), Jeff Beal (House of Cards), Ramin Djawadi (Game of Thrones), John Lunn (Downton Abbey) and Sean Callery (Homeland).