The third and final installment of the American Youth Symphony’s three-year “Goldsmith Project,” saluting the music of Jerry Goldsmith, was in many ways the best yet. The afternoon symposium began with a new 10-minute suite from Under Fire (1983), after which I moderated a panel with frequent Goldsmith collaborators Joe Dante and David Anspaugh plus longtime music editor Kenneth Hall, mixer Bruce Botnick and agent Richard Kraft. Conductor David Newman debuted, for the first time ever in concert, music from Jerry’s Legend (1985) as well as a new 10-minute suite from Poltergeist (1982). Here is a thorough rundown of the Sunday program; the symposium was sponsored by The Film Music Society.
This was one of those “how lucky am I?” moments: Suggesting Jerry Goldsmith’s Emmy-winning Americana score for The Red Pony to conductor David Newman for the afternoon performance, and then watching him conduct a new 15-minute suite from it with musicians from the American Youth Symphony. I moderated a discussion afterwards and, that evening, hosted a concert that included some of my all-time favorite Goldsmith: a new suite from Papillon, unused music (to picture!) from Alien, and music from QB VII and The Omen films. We walked out of there saying, “was this all just a dream?!” Here‘s a rundown of an unforgettable evening at Royce Hall.