In a little over a week, we’ve seen the Golden Globe nominations for song and score; the Grammy nominations which, with its offbeat eligibility year, combines the best of this year with last; and the news about scores that were disqualified, for various reasons, from Oscar consideration. Here are three stories I wrote for Variety that summarize each: a quick analysis of the Golden Globe nominations in music; a look at Black Panther composer Ludwig Goransson’s surprising Grammy nods; and our annual look at what the Academy music branch has nixed for potential Oscar consideration.
Icelandic composer Johann Johannsson, widely considered among the most interesting of the current generation of film composers, died in February at the age of 48. But the Oscar-nominated composer of The Theory of Everything, Arrival and Sicario had completed more work before his death. His final score, for Mandy — Panos Cosmatos’ wild horror-revenge thriller starring Nicolas Cage — is a dark, massive, industrial-metal sound that matches the grim, violent, sometimes insane milieu of the film. I interviewed the director, his manager Tim Husom, and his agent Kevin Korn, about this last work and about the new foundation in the late composer’s name.