It was a shock to receive word on Saturday morning that Icelandic composer Johann Johannsson had been found dead in his Berlin apartment. As Variety‘s resident film-music writer, it was my sad duty to talk with his manager and write the story as quickly as possible. Here is that obituary. I had known him since his Oscar nomination for The Theory of Everything (the photograph of us is from a post-screening Q&A we did together in early 2015; our first interview was in late 2014) and we did a fascinating interview in late 2016 for the Directors Guild magazine that also included his longtime collaborator Denis Villeneuve; that story is here. I was a great admirer of his scores for Sicario (Oscar nominated in 2015) and Arrival (unfortunately disqualified for Oscar consideration in 2016; here is the full explanation of that). It’s been a tremendous loss for the film-music community, and the days since his death have seen an outpouring of emotion.
The disqualification of “Alone Yet Not Alone” from the Best Song category was much talked-about, yet hardly the first time that a tune from an obscure movie managed to sneak into the category. I attempted to add some historical perspective to the discussion with this Variety story. Then I broke down this year’s nominees in both Song and Score categories.