I am proud to say that I have been writing about female film composers for decades (from Shirley Walker to Rachel Portman to Anne Dudley to Lolita Ritmanis and many others along the way). I have waited for many years for a woman to score a big-budget franchise film, and now it’s finally happened. Pinar Toprak, the Istanbul-born, super-talented composer of TV’s Krypton, has been signed to compose the music for Captain Marvel, the latest entry in the Marvel Cinematic Universe. I was delighted to announce it in this Variety story.
It’s only a matter of weeks after Oscar season ends that Emmy season begins. I know, it’s hard to believe, but within the industry — especially the many publicists we deal with on a daily basis — the calendar year has become one long awards season. Still, Emmy season is a great way to catch up on the many fine shows that now grace the small screen, and in this first of a series of stories about Emmy-worthy work in music for television, we look at a handful of potential nominees in the series- and limited-series-scoring categories. In this second story, the role of music in current science-fiction series is examined. A third story looks at the music for four of the season’s top limited series, including Howards End and Patrick Melrose. And a fourth story looks at the odds of documentary scores, including The Vietnam War and Blue Planet II, attaining Emmy glory.
I’ve been fascinated by the backstory of Superman’s home world as long as I’ve been reading DC Comics (which I did, a lot, back in the 1960s). So I was understandably curious about the new series Krypton, which debuted last night on the SyFy channel — and about what kind of music might accompany it. Turkish composer Pinar Toprak is scoring the series (entirely in her home studio, for a largely synthesized sound) and even providing all the background music for the pubs that Superman’s grandfather Seg-El frequents. Here is the Variety story I wrote about Toprak, who producer Cameron Welsh considers “a rising star” among Hollywood composers.
It was a pleasure to moderate a panel at Friday’s ASCAP “I Create Music” Expo at the Loews Hollywood Hotel. The topic was “Women in Film Music” and the panelists included composers Lesley Barber (Manchester by the Sea), Stephanie Economou (The Zookeeper’s Wife), Carly Paradis (Line of Duty) and Pinar Toprak (The Lightkeepers). ASCAP’s Rachel Perkins also introduced Lolita Ritmanis of the Alliance for Women Film Composers and Tracy McKnight of Women in Film, who kicked off the discussion about the expanding profile of female composers for film, TV and games. It was a stimulating hour with these thoughtful, remarkable women and I was honored to be on stage with them.