Tag Archives: Rupert Gregson-Williams

The music of “Hacksaw Ridge” and “Allied”

variety-music-issue-44The third of my four stories in this week’s special issue of Variety deals with the music for this year’s big war movies, Hacksaw Ridge and Allied. I interviewed Rupert Gregson-Williams about working with Mel Gibson on the music of Hacksaw Ridge, and Alan Silvestri about Allied, his 16th feature film with director Robert Zemeckis. Both were illuminating, as the composers talked about going beyond the old war-movie cliches and finding new ways to illustrate, or deepen, the stories with music.

New scoring stage opens in Vienna

ViennaStageVarietyThis week’s “Music for Screens” issue of Variety features two stories by me. The main story concerns Vienna’s new Synchron scoring stage, where Hans Zimmer has already recorded Inferno and Rupert Gregson-Williams has recorded music for the Netflix series The Crown. The backstory of the building is fascinating: Built in 1939-40 as a recording facility for films, it was home to many great classical artists in the 1950s and ’60s but eventually fell into disuse. An $11-million upgrade later, it’s now a “world-class” stage, according to composers and engineers who’ve worked there. Its operators hope it will get some of the spillover film-recording business that an overbooked London can’t currently accommodate. (A second story in the issue deals with Umlaut Audio, which creates custom sounds for busy composers in L.A.)