On the eve of their triple Golden Globe nominations for Best Picture, Best Original Score and Best Song, Black Panther director Ryan Coogler, composer Ludwig Goransson and songwriter-producer Sounwave sat down with me for an in-depth conversation about their work on the biggest-grossing film of 2018. The occasion was a screening, co-sponsored by Disney and radio station KPCC, of Black Panther at Regal Cinemas at L.A. Live. It was great fun, and the attentive audience was a nice plus.
This was one of my most fun Variety assignments of the year: Interviewing Swedish composer Ludwig Goransson about his music for Marvel’s Black Panther. I’ve known Ludwig since his USC days, which is where he met director Ryan Coogler; this was their third film together (after Fruitvale Station and Creed) and his most ambitious score yet. He spent a month in Africa researching, listening to and recording all kinds of musicians, giving the film an authentic and evocative African sound (coupled, of course, with a massive London orchestra and choir for that “cinematic” finish). The piece is illustrated with photos of Ludwig in Senegal; director Coogler chimes in with comments about the importance of music in the film.