One of my favorite stories of the past year concerns Michael Giacchino — the composer of Ratatouille, Up and the Star Trek films — who, exhausted from scoring four major films in 2016, was all set to go on vacation when the phone rang, asking him if he might squeeze in a Star Wars film before the end of the year. How he got to do Rogue One, and how he went about it, is the subject of a story I wrote for this week’s Music section of Variety. Along the way I also mention two of my other favorites of his this year: Marvel’s Doctor Strange and Disney’s Zootopia.
Tonight, John Williams becomes the first composer to receive the American Film Institute’s Life Achievement Award in the 44-year history of the honor. In connection with the event, Variety asked me to interview the five-time Oscar winner about composing such iconic themes as Star Wars, Jaws, E.T., Raiders of the Lost Ark, Superman and Harry Potter — as well as what’s next for him in an already distinguished 60-year career. It was also an opportunity to inquire of conductor Gustavo Dudamel, producer Kathleen Kennedy and AFI president Bob Gazzale about their thoughts on working with a Hollywood legend — and a chance for me to outline (in a short sidebar) some key career highlights.
The L.A. Times asked for a piece linking Wagner’s 19th-century leitmotifs with today’s film music, notably that of Williams (in the Star Wars films) and Howard Shore (in the Lord of the Rings trilogy). It was an offbeat assignment that put me in touch with scholars who shared interesting perspectives.