Tag Archives: The Other Side of the Wind

Oscar music candidates, part 1

This week, Variety published its first “Contenders” section designed to inform award voters (and watchers) about worthy work in 2018 releases. It may be a record for the earliest one yet (it’s still only October!); there’ll be another at the end of November. We started with three really interesting stories: Michel Legrand scoring Orson Welles’ final film, The Other Side of the Wind; British classical composer Thomas Ades doing his first film, Colette; and perennial favorite Alexandre Desplat, who has three scores in contention (most likely to gain attention: Isle of Dogs). Also in this issue: a preview of my composer panel at the inaugural Variety Music for Screens Summit, which was Tuesday, Oct. 30 in Hollywood.

Michel Legrand scoring Orson Welles’ final film

Monday was an especially fun day, as I got to break a story I’ve been working on for weeks — that the Oscar-winning French composer Michel Legrand was scoring his second Orson Welles film, The Other Side of the Wind — some 44 years after their collaboration on F for Fake, the legendary filmmaker’s final completed film. Welles shot this between 1970 and 1976 and had hoped for another Legrand score when it was finished — which, like so many Welles projects, never was. The producers who are completing Wind reached out to the composer last year and received an enthusiastic “yes.” I was lucky enough to get quotes from both producer Frank Marshall and Legrand for the story, which Variety published to a surprising and immediate global response.