A Los Angeles Times assignment to interview all of the principals associated with the music of Motherless Brooklyn turned out to be irresistible. Director Edward Norton’s detective drama takes place in late 1950s New York, so he enlisted jazz legend Wynton Marsalis as consultant and arranger of the Harlem club standards seen and heard on screen; Radiohead’s Thom Yorke, whose sad song “Daily Battles” plays a key role in the storytelling; and film composer Daniel Pemberton, whose experiments with saxophone riffs, lyrical themes and modern-music sensibility tied it all together in the end.
One of the most intriguing musical assignments of Wynton Marsalis’ career had to be scoring the music for Bolden, the dramatization of jazz pioneer Buddy Bolden’s career around the turn of the last century. No recordings of his music exists, so Marsalis essentially invented it with the help of director Dan Pritzker. He ultimately wrote 18 songs for Bolden’s ensemble, then recorded 10 more appropriate for Louis Armstrong’s 1930s band. I interviewed composer and director for this Variety story.