This year’s big-screen epics demanded an aural equivalent: big orchestras and often big choirs. For the films Noah, Exodus: Gods and Kings and The Hobbit: The Battle of the Five Armies, the directors called on composers Clint Mansell, Alberto Iglesias and Howard Shore to supply appropriate music. For a story in this week’s Variety, I interviewed them and augmented their thoughts with historical perspective from author Stephen C. Meyer, whose new book Epic Sound examines the classic scores of the 1950s and ’60s.
Epic scores for epic films
Wednesday, December 10th, 2014 at 1:53 pm