Between October and December, my calendar is filled with screenings, composer interviews, live Q&As, and most importantly writing about all of this for Variety. All of this was spread across a series of stories that attempted to cover most of the major candidates for awards consideration at year’s end. The first story, Oct. 29, covered seven early contenders (Joker, Harriet, Ford v Ferrari, Motherless Brooklyn, Pain & Glory, Judy, Us). A second, Nov. 14, examined offbeat approaches (Monos, The Lighthouse, Uncut Gems). A third, Dec. 4, looked at documentary scores (The Biggest Little Farm, The Elephant Queen, Toni Morrison: The Pieces I Am, Apollo 11). And a fourth, also Dec. 4, discussed eight more scores (1917, Little Women, The King, The Song of Names, The Aeronauts, A Hidden Life, The Good Liar, Jojo Rabbit).
In Contention: the best of this year’s film scores
Wednesday, December 4th, 2019 at 7:44 pm